M37
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The Presence Of Sarah (2010-02-13)
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The Massacre III of III
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San Fernando (coda)
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Empire (HAIL! HAIL!)
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Meghan’s Party (12:26 AM)
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Grace (A Silhouette … A Distinct Witness To Fame)
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Seventeen Thirty-Five (feat. Anessa)
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The Jaguar
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Nöelle
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The Audition
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Chloe & Benjamin (scene 139)
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For Kathleen
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Grace (A Resolution)
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Paolo (A Monster)
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For Anessa (2nd version)
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Francesca
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Bobby (demo; In Memorium)
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The Harlot At The Taft
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From The Heavens To The Hills
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Angel In The Valley
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Premiere At The Arclight (The Reunion Of Chloe & Benjamin)
Perhaps an additional wink
may preserve that which he’s observed …
… a gesture implying
“there’s time to reconcile”,
reflecting her fear of women
other men have yet to adorn
Though proud to provide a reason to confess
“prayer,
to validate his behaviour,
must fail to consider fate” …
… as witness (from the balcony)
to the reception deemed “inappropriate” by the press
(reminiscent of that which she used to allow),
she seems not only misleading,
but is a bit responsible for his presence
and how his apology will always be remembered
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The Spotlight

NEW POEM

Taylah V of VI (The Mother; The Eulogy)
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And, how does one construct a sequel to that which has yet to present it’s complete self?
With so many pieces lying about to be finished for their final presentation, there were two choices to be made … present “Soldado Instrúyete” as a rather bloated assault on the reader whose patience may thin after 30 poems or split the poems into two collections?
The first may result in the reader forgetting about the first half’s poems once they’ve plowed through the entire collection, or simply bore the reader who may grow weary of the collection’s over-presented themes and style.
The second … well, obviously the second is the ideal presentation, allowing me to indulge in the subject matter, characters and style I’ve found quite amusing (and addictive) without demanding too much from those looking to appreciate art … not drown in it. They will (as a result) enjoy and perhaps remember each of the poems (much like their enjoyment with a concise album of music).
So, how might volume 2 differ from volume 1? Honestly, I doubt there will be much to tell the two apart (other than the artwork and titles). Volume 2 will present a new set of characters within the poetry, but, their lives shall be as those found in volume 1.
Shall these collections be received as I currently see them as (my finest artistic achievement) or will their presentations only allow them to be referred to as my folly?
- Orlando G Gonzales III
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